点线面这个作品的视觉表征呈现出非常当代的技术特质。这种技术特质外在形象与作品中作者的意志刚好呼应，再度表述当下原子化这一非常明显的倾向。人如何面对原子化，以及如何在原子化中找到栖身之所成为这一个作品萦绕不去的提问。人类精神的源起和出走的开始，这也正是点线面这个作品在一个个人身上所所呈现的最重要的一部分，人与人之间的关系，人与故乡之间的关系，人与自身精神之间的关系。

The visual representation of the work Points, Lines and Planes presents very contemporary technical characteristics. However, this technical characteristic just echoes the author's will in the work, conveying the very obvious tendency of human atomization. How people face atomization and how to find a place to live in atomization have become the lingering questions of this work. The origin and beginning of the departure of the human spirit are also the most important parts of the work Points, Lines and Planes on an individual, the relationship between people, the relationship between people and their hometown, and the relationship between people and their own spirit.